![]() ![]() ![]() Conflicts among the government, businesses, ranchers, homesteaders, and the railroad are also depicted, as all of those interests compete. This season continued to focus on the westward expansion of the Union Pacific Railroad. As recounted in the 1996 Nancy Griffin and Kim Masters' Hit & Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood (Simon & Schuster), Peters dated Basinger during the production. The fourth season of the AMC television series Hell on Wheels premiered on Augand comprised 13 episodes. Don't forget ravenous producer Jon Peters, who wanted the star power of Keaton and Nicholson: they improvised dialogue with Burton, while the production went over budget. Freeze frames in the establishing shots while listening to the score, and you almost see the film Burton wanted to make, and later did. (It's an innards city.) Composer Danny Elfman's merry melodies move because Batman barely can. Production designer Anton Furst made Gotham a magnificent ruin, so much Art Deco decomposing, all those piping and vents that look eerily biological. Nicholson was the resident legend, outranking Batman in the opening credits, and he dominates the camera's frame. Who deserves credit for the film's manic mood? I count four men with as much authorship claim as Burton. ![]()
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